Wednesday, March 31, 2010
Defining Plagiarism: Researching; evaluating and using sources responsibly. Class Post (H)- 3/31/2010
The Moivegoer - By: Walker Percy
This story is about Binx Bolling, a successful, socially prominent New Orleans stockbroker from an old and wealthy family, and how he faces his life in the week of Carnival leading up to his thirtieth birthday on Ash Wednesday. Binx is an avid and successful skirt chaser, but he really loves his step cousin Kate, a manic depressive. The book tells us that a life spent seeking happiness is almost doomed to failure, that happiness, both as a concept and as a reality, is difficult to grasp and difficult to retain. “Joy and sadness come by turns, I know now. Beauty and bravery make you sad, and victory breaks your heart, but life goes on” (Percy 211).
The various characters in this story show us how many ways there are of dealing with the world and with one another. We are not sure how the lives of Binx and Kate and the others “end up” but we see how the world affects them and how they affect the world. This is, in a sense, a very modern novel. Despite its title, The Moviegoer doesn’t talk about film a lot. It mentions a specific movie, but the title seems to me to be more of a metaphor for the narrator’s passive life. Thus, a lesson I learned from reading this book was no matter the struggles or difficulties one faces throughout life, life has to go on.
First Hand Knowledge
Tuesday, March 30, 2010
Walking by Faith and not by Sight: movie analysis of “The Book of Eli” by DeAnna
The action adventure “The Book of Eli” directed by the Hughes Brothers, starring Denzel Washington and Gary Oldman, is a definite must see. The main character Eli resembles a divine apostle on a mission to share the gospel and be a fisher of men. The actions of Eli and the scriptures he recites are related and similar to those Christ’s life on Earth.
This film’s setting is a desert covered Earth in the not too distant future. The technology and fashions are not updated due to the predicament of their dying Earth. The protagonist in this story is Eli. He is a lone traveler on a mission from God. Eli is the only surviving human with a copy of the Bible because all were destroyed in previous wars. Eli’s mission is to find a place where the book is deemed holy and will be used for divine and not corrupt purposes. He travels through a particular town only for water but is held up due to a petty fight with a drunken man at a bar.
Oldman, playing Carnegie, sees Eli’s superior fighting skills and later finds out Eli is able to read. Carnegie is seeking to find a copy of this special “book” for a mass manipulation of people to deem him as a savior. The main problem he faces is that many of his goons cannot read; the slow process and likeliness of Carnegie finding the “book” is slim to none unless he recruits Eli. Carnegie sends his stepdaughter, Solara, into Eli’s room to try to seduce him into joining Carnegie’s forces. However, Eli’s will and morals are too strong for this temptation. He offers Solara kindness by sharing food and praying with her. She is so moved by his loving kindness that she begins to pray with her mom the next morning. After witnessing her prayer, Carnegie realizes that Eli may have a copy of the Bible and goes to his room to find him gone.
Eli sneaks out of town and is later caught by Carnegie’s men who attempt to kill him. However, Eli is divinely protected and none of the bullets hit him. He manages to escape and Solara runs after him to join his journey. Slowly they bond and build a friendship; Eli eventually reads verses of the Bible to her after her multiple pleas. He explains the reason of his journey fully through the use of scripture and is so knowledgeable because he reads it every day. Carnegie rallies his troops on a hunt for the book and Solara.
After many close calls with danger along the road, Carnegie manages to catch up with the pair. He kills Eli, steals Eli’s Bible, and grabs Solara and drives off. Since Solara is also driven to help Eli with his mission, she compromises seeing her mother by injuring her kidnappers and driving off to aid Eli. When she arrives to the scene where Eli was shot dead she doesn’t find him there. He is walking alongside the road alive! They drive to the coast and row over in a boat to the island of Alcatraz. There is a book printing company there that welcomes them graciously. The head of the printing press asks Eli what book he possesses and Eli mutters, “The King James Bible.” He orders the man to get lots of paper and get ready to write. Meanwhile, back at Carnegie’s town, he gets a key master to open the lock on the Bible’s cover. When it is unlocked, Carnegie looks inside to find only blank pages. He is horrified. As he looks closer he finds that this is a copy of the Bible but in Braille!
The story shifts back to Eli and Solara. Eli is in a white robe reciting the Bible word for word as the printing press’s leader scribbles down everything exactly as Eli says. Eli eventually dies due to his injuries. The press leader tells Solara she is welcomed to stay but she embarks on a journey of her own. She tells him I am going home. This great tale ends with the printing press coping the leader’s pages and as he finishes binding the New King James version of the Bible he sets it on a shelf next to the Jewish Torah and the Muslim Quran.
Throughout the movie, many fight and shoot at Eli for unjustified and evil reasons. This closely ties to the plight of Jesus: how He was persecuted many times during his travels by Pharisees, scribes, and others. Jesus befriended and showed love to the tax collectors and prostitutes. And Solara, unwillingly however, is portrayed as and forced to be a prostitute by her stepdad. Eli does not cast her off once he sees the true intention of her visit to his room. Instead he dines with her and prays, which is a Christ-like action. One astounding symbol of similarity is Eli’s death. Eli was clearly shot and dead when Carnegie caught up with him and Solara. Yet he arises from his toll of death and continues walking. This clear connection to Christ’s death is strengthened when Solara (a former prostitute) finds him alive. This happens in the story of the Bible when the two Marys go to visit him and the angel tells them that Christ has risen. The end of the movie wraps up all these symbols with a huge finale. The books of the Bible by Christian belief are divinely inspired and written. As Eli is dying, the Bible is being written word for word from his own mouth. Just as the prophets and writers of the Bible heard God’s voice and wrote it down. His white gown is the same garb Jesus wore ascending into heaven, which is, without a doubt in my mind, where Eli rose to.
Monday, March 29, 2010
Atonement - The Movie!
So I just watched the movie Atonement and here is what I thought of it!
The movie disappointed me a little because it rarely showed the sheer enormity and viciousness of the “crime” Briony commits and the way in which the family (except Cecilia) closes conversations with her. Atonement is one of those rare movies that feels too short rather than too long. I thought that Knightly (Cecelia), who is the book’s main female role did an okay job in the movie. Briony’s character (3 different ones), to me seemed a tad shortchanged. Briony, (age 13 played by Saoirse Ronan) was very strong in the movie but I thought Romola Garai (who played Briony when she was 18) was rather dull compared to Ronan’s strong appearance. In her one scene opposite Knightley and McAvoy, Garai just didn’t impress me and shattered my expectations. As the more controlled Cecilia, Knightley hints at the rebel behind the upper-middle-class mask, while McAvoy shows a sheer emotional range.
The scenes of Cecilia and Robbie making love with sweet lips and token resistance is what may keep people awake in the movie because towards the middle, it gets kind of boring. Those images (lovemaking) supply Atonement with a sense of purpose before Briony supersedes their saga. The lovers’ bond provides the best lines in a movie based on a novel. They speak of love without shame and the clarity of passion. One wants them to unite.
Then, came the scene when Robbie is out of jail and is on a quest to find Cecelia (who is working in London as a nurse). However, he goes on to France to fight in WWII. Meanwhile, Briony (Romola Garai) is also working as a nurse to remove her guilt. Briony’s seeking for atonement, to meet Robbie and Cecelia is hurting her from the inside and this is at least 45 minutes of the movie giving emotional punches back and forth!
The overall execution of the movie is so fine. Atonement is worth seeing even if the ending of the story doesn’t live up to the beginning of it. There is a level of filmmaking and storytelling here that places it in the highest ranks of best films. I most definitely recommend seeing it, and am curious as to how others would view this movie. If so, which one did you like more? The book or the movie?
Sunday, March 28, 2010
The tragedy of jealousy and the poignant of beauty

This is a deep story about the darkness of humanization and the struggle between adolescence and adulthood. Malena is a pretty woman who moves to Castelcuto with her father, a Latin teacher at the local school. Her husband is off fighting in World War II. In the meanwhile, a 13- year-old boy named Renato obsessed with her and starts fantasizing about her while masturbating. However, her ultimate pretty makes her got all the men lust and attention and all the women despise. The gossip about her fought through everywhere in the town, women paint her as a loose woman just because she's curvaceous and gorgeous.
One day, someone informs that her husband has been killed. she continues to be faithful to her husband. She keeps an unattainable distance to the townspeople, but her standoffishness doesn’t endear the vicious assumptions of her even make it more fierce. In the meanwhile, a slanderous letter about her sexual morals reaches her father’s hands, He automatically believes it their relationship suffers a catastrophic blow. Malena has trouble finding work; and, as the war progresses, goes hungry. She has no money and the women at the marketplace are cruel to her. When she can afford food, she is given the most disgusting of wares. The poverty makes her becomes an prostitute, she sleeps with everyone, even with German officers. She’s helpless and disappointed, no one would help her, neither little Renato, who is too young to save his dream lover. She becomes debauchedsince all the women in the village treat her as a devil. However, Ronato feels distressed about Malena. But how could he forget her? She is something special in the middle of the ordinary. The jealousy, from those local wives are terrible, they can’t tolerate the exotic beauty surrounded by normal people.

After the war end, they take their revenge on Malena. They drag her out into the courtyard and beat her publicly. They basically run her out of town. No one helps her. No one stands up for her. All the men who had their eyes on her, turn their heads away as their wives, mothers and sisters kick and bruise her. The ugly of human nature, the weakness of humanity upgrades those people’s hatred. Surprisingly, I didn’t feel angry about those people,on the contrary, I feel compassion with those villagers. Revenge is always the weak pleasure of little and narrow mind. The traditional and conservative thinking limits them to look forward. As Mahatma Gandhi says, ‘an eye on eye would make the whole world blind’. The village looks quaint, but poor at the same time.


After Malena leaves Sicily, her husband Nino comes back to the village, tries to find her. But no one tells him where she’s heading for, no one tells him what happened. People continue to gossip. Only Renato feels sorry for Nino and finds a way to give the man some solace. He sends Nino a letter and tells him that Malena was faithful to him until she was told he was dead and that she did what she did to survive. Renato also tells Nino that Malena was headed for Messina.
Nino gets on the train to find his wife. No one knows where Nino is going. A long time after they return to town, Renato has a girlfriend and has come closer to manhood. Ironically, people accept the fact that Malena returned after what they did to her. The women also note that Malena looks life-worn and has put on weight. They are less intimidated by her now. She comes into the marketplace and is offered the finest of wares as both an apology and deference to her status as a wife.
In the end, we realize that life will go on pretty much as it used to. The wrongs done to Malena will never be made right; but, she will survive. Renato becomes to a mature man because he fenally realize that she is indeed human is part of what helps him truly grow up. Renato, as a witness, has observed the whole things happen, The transformation of his innocent desire to Malena to the sense of responsibility of protect Malena forces him grown up. He faces all the darkness and the ugly side of our human, even he doesn’t want to face it. The story is filled with sorrow and repentance. I cried after I watched the movie. Malena is a poignant film that deals with many issues. All are done so eloquently although our main character, Malena, barely speaks a word. I must say that I thoroughly enjoyed this movie and highly recommend it to anyone.


Writers' Festival
The first one was about a dorky elementary school student in fourth or fifth grade. Sarah mentioned that she portrayed a little more of herself in this child than in her usual characters. But, this particular little girl is the hall monitor at her school and is very unpopular and picked on constantly. So, of course, her mother decides to take a job at her school as the school's mascot which is a stallion. The little girl is very uneasy about this and she is pretty embarrassed actually. But, her only job is to protect her mother and to protect her identity from the kids at school. When her mom came to school to take pictures with the kids and stuff it was all okay until this little boy and little girl come up and order her to take her mask off and wrestle her until the stallion costume gets ripped on the arm, but the girl's mother's face is still a secret. During the end of the fight, the hall monitor and mascot protector was called a bitch by the other girl and that was when she expected her mom to step up and speak for her, but sadly, she stayed on the other side of the stallion suit. But, she still revealed that the stallion was her mom and asked if she could take off the mask, her mother, however, shook her head no. So, the stallion's identity remained a mystery to the kids in a way, unless they believed the hall monitor.
Her next story that she was going to tell was about another person in a costume, but she decided not to because she didn't want us to thik that she could only write stories about costumes which was pretty funny because she announced this to us.
She did not finish the second story, but what she did read was about an English teacher that hated her husband. It went between them fighting and her life back at school, which was a completely different life. She ends up having an affair with the female principal. But, the principal's husband is suspicious and she says that it has to stop. Then, there is a kid that got caught with drugs in the teacher's classroom and the principal asks her to confiscate the drugs. The last thing that she mentions is where the principal and the teacher are talking and we never find out what happens. She strands her audience in a state where we may never know what really happens. She stops in the middle I guess to kill us with suspense. I really wanted to know what happened, and there isn't any guarantee that that story will even be published because it is still currently just a maybe on the publishing list, according to Sarah. I find it ironic that she went to Agnes Scott and wrote about this kind of thing because, well, because there are a lot of sexual discrepancies here and it makes it that much funnier knowing that. I felt like this author had a lot of talent and her stories kept the whole audience laughing and wanting to know what was coming next. I thoroughly enjoyed my time at the Writers' Festival 2010.
Friday, March 26, 2010
A Private History of Awe


Later on at the answer-questions section, when he was asked of his views of the relationship between art and sentimentality, he gave his own interpretation. He believed that all the art works do not give people feelings, but rather appeal to the readers. He quoted somebody who I did not take down to claim that our lives have already filled with highs and lows, all those printed words do is to tag certain moments and leads us to pick up a feeling to experience. “The novel sets everything up and appeals to its readers very much like a test: please feel sad now or lease feel [depressing] now”, he explained. He said that art should not be limited to sentimentality though. There are many good things that happen in life. He admitted that harmonious humanity was harder to write and that explained why novels and films stop at romantic love instead of a durable marriage. He does not like this intendancy of public publishing. The lack of advocating for a durable marriage misleads people to not believe things like a good marriage actually happen. People do not believe in marriage any longer. He insisted that the harmonious humanities are hard to write but it is not because they are rare. Therefore, he encouraged young people to hold fast to the belief in good things. This concern of him also shows in his closing story which is a letter to encourage people to care each other, care the earth.

In terms of internet publishing, he talked about his way of seeing it. He thought that it is much cheaper to publish online but it will be harder for readers since once it publishes on the internet, the work will be surrounded by a group of distractive ads or other information which is not a good reading environment for the readers. He warns the young generation to be aware and mindful about what we see on the internet. He said that the internet was full of data. There are three levels of achievement that people can get from reading those data: information, knowledge, and wisdom. These three aspects are increasingly difficult. The best stage of reading data will be wisdom which you have the ability to turn tons of information to knowledge, and then use the knowledge to make important decisions.
I really got a lot from the lecture, both on literature and personal values. This positive experience actually makes me think to anticipate next year’s writers’ festival. What do you guys get from the lecture? Do you mind share your piece of thoughts? Hope you guys enjoyed his lecture too!
Thursday, March 25, 2010
POE
Alone by Edgar Allan Poe
From childhood's hour I have not been
As others were; I have not seen
As others saw; I could not bring
My passions from a common spring.
From the same source I have not taken
My sorrow; I could not awaken
My heart to joy at the same tone;
And all I loved, I loved alone.
Then- in my childhood, in the dawn
Of a most stormy life- was drawn
From every depth of good and ill
The mystery which binds me still:
From the torrent, or the fountain,
From the red cliff of the mountain,
From the sun that round me rolled
In its autumn tint of gold,From the lightning in the sky
As it passed me flying by,
From the thunder and the storm,
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view.
First I will discuss the content of the poem. In this piece, a speaker describes how he or she—in their childhood, was different from everyone else. The speaker did not have the same interests as others and no one in return particularly cared for the speaker’s interests. Also, the narrator states how their childhood was a harsh life that composed of good and bad memories, and the fact of that being so, confuses the speaker. Then the poet recalls a memory about how a cloud took the form a demon. They way this poem is written seems as if the speaker himself is deeply confused. For example, in the beginning of the poem, it starts off gloomy and dark and then it switches between light and dark references—torrent, fountain, sun, storm, Heaven then demon. These are actually clashing images. It seems as if there were two speakers instead of one.
The content may seem as if the speaker is confused by the structure suggests another point of view. There are 22 lines with a definite end rhyme scheme—aabbccddeeffgghhiijjkk. In a way it may seems as if the content and the structure are unrelated, but they do complement each other. The end rhyme guides you through the poem and creates this rolling or smooth effect when you read the poem.
But why is this poem called “Alone,” if he is alternating moods or tones? Maybe, calling it “Alone” actually shows how the imagination creates images to cope with the condition of begin alone. A person can became enlightened by what their imagination presents when you find yourself alone on a cliff.
Wednesday, March 24, 2010
The Blooming Briony: She becomes mature! -DeAnna T. (G) Class post 3/25/2010
Another negative action that Briony takes full responsibility for is the union of Lola and Marshall. She is surprised not about the news of the wedding primarily, but the fact that her father was the one who informed her and gave her all the information she needed to attend the ceremony. This situation is peculiar. Her father is seen throughout the story as the distant character of this story. Him revealing this information and making it possible for Briony signals that he understands(but not fully aware of) her daughter’s past mistake. Again Briony is faced with another result of her recklessness; another life is ruined- from her perspective. She sadly realizes all the nursing hours in the world cannot erase the effects of that one night.
After witnessing the wedding of the Marshalls the reader is made to believe that Briony visits her sister and, surprisingly, Robbie to make final arrangements of her confession. And her tasks are simple: she is to explain everything to her parents, speak to a solicitor, and write out the whole story and give it to Robbie. After this encounter a burden is released since the truth is revealed. The text explains this figuratively stating, “Once through the front door, it seemed to Briony that she was stepping into another day. There was a strong, gritty breeze blowing, and the street was in harsh relief, with even more sunlight, fewer shadows than before.” The image of a gritty breeze symbolizes the dirt of lies floating away and the point of fewer shadows than before is translated as Briony stepping to the light-to truth. The act of Cecilia and Robbie seeing her to the train is a sense of closure and peace as this new time for the family unfolds.
The end reveals Briony’s life is Atonement(both literally and figuratively). Her final book and finale of her life is publishing a book that true account of her life intermingled with Robbie’s and Cecilia’s. Her false happy ending is not to please her readers; it is her “sorry” that is long overdue to her sister and Robbie. She has provided a space for them to have lived their dream. Her book is her final act in asking forgiveness. This could have been predicted due to the letter she receives from the Horizon editor. This letter proves very important in analyzing Briony’s weakness- her lack of courage and fear of confrontation. A weakness that was apparent in her childhood as well (confronting Lola about her role). This answers the question of “why did you wait so long to tell the truth Briony?” Fear is a powerful feeling, a feeling that brought the ultimate demise to love between two people of different worlds. However a sense of gulit and the result of suffering transends her cowardice and causes her to do what is right. This is how she becomes the herorine of her own story at last.
ENG-110 Atonement part 3-Atonement...or was it?
If McEwan had written Atonement as a parallel book of himself writing about Briony, and in turn Briony writing about herself this would have been a totally different book. But because he did not and Atonement is supposed to be Briony's book, I can say easily that I do not think that Briony really atoned for her actions.
Through the conscienceness of Briony, McEwan asks questions about who controls human destiny. Do we write our own scripts? Like real life, the novel is complicated by multiple viewpoints: Cecilia's, Robbie's, and most importantly Briony's. Each character has a limited perspective. Only the reader has access to the larger picture. McEwan shows life as perspectival, and shows the closest thing to truth is the union of multiple, sometimes conflicting narratives.
When Briony understands the implications of her evil act in the lie she told that ruined Robbie's life, she dedicates her life to making reparation. The dictionary says that atonement is the making of reparation for sin or a mistake. Briony, an upper class girl, skips university to go into nursing during the middle of WWII as atonement for her terrible lie. She obeys hostile superiors, empties bedpans, dresses unimaginable wounds, and brings comfort to young soldiers torn apart physically and emotionally by war. She exchanges self-absorbtion for selfless care of others.
Her selfless work gives solace to others, but not to her sister and Robbie.
Beyond the plot the novel is complicated by its structure. One narration is Briony's life; the other story is Briony's writing. She creates narratives in her imagination, which are played out in real life. She actually writes the story of Cecilia and Robbie, and exposes the true rapist. At first I was aware that this is reality. Then I began to question outcomes. Is Briony writing this, or living it? Where is the boundary between life and art? Briony as a writer, I know that she has the capacity to play God (to control outcomes). But I am unclear about who is in control of destiny.
I don't really believe that Briony atoned for her bad deed because novelists have the ultimate power of deciding outcomes. Another note: In a bittersweet finale, McEwan observes Briony fifty years on, confronting her own mortality and reveals the extent to which he has controlled the outcome of the Tallis family.
Tuesday, March 23, 2010
Class Post (Section H)--25/03/2010, The Attempt is All
Briony learnt about the facts of her crime by collecting materials in museums. The first setting of the conclusion is in the Imperial War Museum where Briony was reading the documents on the Second World War (333). She did so because she wanted to know what Robbie and Cecilia had experienced respectively in the war because of the crime she had committed. Besides real experience on the battlefield, the archives are the nearest place to facts because of the first-hand sources collected there. Briony was serving as a nurse when Robbie died from septicaemia and Cecilia was killed by the bomb in Balham Underground station. Briony first pushed Robbie to the prison and then indirectly to the battlefield but she had no way to know what Robbie had really suffered except to look over in historical documents that record the disastrous war. Although Cecilia died from an accident, Briony was also partly responsible for her death because if Robbie had not been sent to prison, Cecilia probably would not have left home and became a nurse. Briony realized the serious consequence of her lie when she grew old; the only way she could compensate for her crime is to have a vicarious experience of Cecilia and Robbie’s sufferings through recorded words.
However, the written words cannot fully provide Briony with the most germane experience because they can only give her a rather rough account of the happenings in the war. She needs accuracy and authenticity. The Keeper of Documents helped Briony get closer to facts. He offered to check the language Briony used in her novel to see whether it was appropriate or not. He pointed out that “On the double” was the American style and the correct term should be “At the double” (339). He changed Briony’s “twenty-five-pound guns” to either “twenty-five pounders” or “twenty-five-pounder guns” (339). Those subtle changes of words add authenticity to her novel. Besides vocabulary problems, the Keeper also noticed some easily-neglected historical truth. For example, he said that “beret” did not exist in 1940 and suggest Briony replace it with a “forage cap” (339). Although the changes are nuance in the novel, the subtlety is important to Briony because it brings her closer to facts and thus she is able to make atonement.
However, what Briony really gained during her atonement is more than historical or literary facts; it is an understanding and acceptance of reality. The “trivial alterations” (340) could not give her one hundred percent accuracy. As Briony said, if she cared so much about facts, she would have written a different kind of book (340). It may seem strange at the first sight that she did not actually care too much about facts. However, with a closer understanding of the story, readers would realize that Briony in fact had a real grasp of what reality is. Her illness which would slowly eat away her memory and thinking (334), together with Leon’s paralysis, Jackson’s death and Pierrot’s oldness (345), makes her senior years not as satisfactory as people would imagine. The author could have depicted a perfect reunion of them but he did not do so because that deviates from the real world. Moving from superficial work of collecting materials to learn about facts, Briony moved one huge step towards reality because she could accept her approaching death without complaints; she finally understood the fact that reality does not always cater to her will.
Besides her illness, what really makes the ending a little sad is Lola’s health. Because it is written in law that Briony could not publish her novel when Lola was still alive and the fact that Lola would definitely outlive Briony, the latter one would have no chance to see her “atonement” published before her death (339). The inability to publish her novel means that she could not vindicate Robbie. However, it does not seem to bother Briony much because she said that a novelist could not achieve atonement as there is no one to appeal to or that can forgive her. While she worked hard to collect materials to write the novel, trying to make atonement through written words, Briony finally realized that it would only seem to readers as her “invention” (350). It does not matter to her any more whether she could publish it before her death or not because it is only a fiction. The reality is that Lola would outlive her and “the attempt [is] all” (351).
What is really ironic is the contrast between Lola and Briony as described in the conclusion. Briony thought Lola to be “comic” with her “heavy make-up” and bold clothes while she was a “puritan” herself (341). The difference in their attitudes towards appearance is a reflection of their minds. Lola could never get rid of her crime and she had to wear a cover all the time to conceal her shamefulness. However, Briony went over atonement and she no longer had to hide anything from others. She can definitely meet people with her unpolished appearance. It is true that Lola lived in wealth and had a better health condition, but Briony could stand on her own feet because she learnt how to face reality.
Not only the conclusion of Atonement is kind of sad, the ending of Briony’s novel in the book is full of regrets. In the fictional ending where Briony wrote about Cecilia and Robbie in their apartment, Robbie was going to catch a train to join the troop (325). The war was on and the destiny of Robbie was suspended. Briony indicated in the novel that he was very like to sacrifice in the battles because everyone who knows about the Second World War would understand the large casualty. Although his death is not directly written in the book, readers have every reason to believe that he would. In addition, when Robbie finally knew that it was Paul who insulted Lola, they had just finished their wedding ceremony. Their marriage and their social influence means that Robbie would never have chance to revert the case, even though Briony was willing to stand out and vindicate (328-329). However, like Briony accepted her approaching death and her inability to publish the novel, Robbie, under Briony’s settings, only said to her to “just do all the things” (329) he asked—that is, her statement to a solicitor and her explanation latter to Robbie. Briony created such an imperfect ending to Robbie and Cecilia in her novel because she wants to get closer to reality, even in fiction, because that shows she really understands how the real world should be. As she said at the very end, it was “not impossible” to have Cecilia and Robbie attend her seventy-seventh birthday party (351).
Although the conclusion of Atonement fulfils Briony’s dream of the play that is sixty-four years late, an air of sadness and pity actually dominates the ending. Briony’s illness, along with all the other senior character’s destinies, and the obstacles of her novel’s publication leave the story much to sigh. The author could have written a better ending for Briony but he did not do so because he wants to attribute to Briony the ultimate apprehension of reality. She learns how to accept imperfection in her search for atonement in real world; she even applied it to her fiction. While atonement is never achieved, her understanding of reality is her biggest gain. As she said, she made a huge digression and doubled back to her starting point. However, she returned because she had totally experienced all she could to understand how to face reality and she laid down all her burden of crime. The sad ending proves that “the attempt was all.”
Atonement - Afshah- G - March 23
Several years after the police inquiry, which on Briony’s evidence results in Robbie’s imprisonment, the novel’s second section focuses on a few days of Robbie Turner’s experiences during the war in May 1940, leading up to his arrival at the evacuation from Dunkirk. Refracted through Robbie’s thoughts, part two, parallels the confusions of part one, with that of the riot of the British Expeditionary Force in France. The second part of the novel jumps ahead a few years, as seen, focusing on Robbie Turner, now soldiering in France; in fact, fleeing from the Germans. These war scenes that were put into the middle of the novel, seemed very superfluous and boring to me. It seems as if McEwan is just presenting his own opinion of war. Because of this, it changes the pace and narrative of the story. For example, part one is a development of the short story she tries to get published. Part two builds upon that, portraying Briony writing with a style of her own. Could this be McEwan’s way of showing us Briony’s development as an author?
Secondly, since McEwan went on to add mostly background material on Robbie’s experience at the war and his thoughts, I felt it slowed down the story. This is particularly true in the second portion of the novel, which leaps ahead to the early days of World War II. Robbie is in the British Army, in its infamous retreat to Dunkirk, while Briony and her sister Cecilia are nurses in London. Briony encounters the death of many individuals from the war which is a means of foreshadowing yet to come in the story. Thus, McEwan’s portrayal of this painful period in history is fantastic.
However, to make that specific section not as boring, McEwan sticks with Robbie, allowing only a few more details to come out that reveal what happened in the intervening years, and in due course that too works. Too me, Briony comes across as very unsympathetic. She devotes a part of her book to Robbie’s war-time experiences, accepting that she’s to blame for him being in France. But what about her own sister, Cecelia, whom she supposedly loves. Cecelia’s thoughts and experiences are only conveyed to us via Robbie’s thoughts, especially when both Robbie and Cecelia write letters to each other. Cecelia hardly has a voice of her own in the book.
Briony, having to write about Robbie’s time in Dunkirk is all part of her atonement. Had she not lied and said that she saw a “maniac” rape Lola then Robbie would have been a successful doctor or a high ranking medical officer, if he chose to enter the war. It’s Briony’s ability to craft the novel herself that she allows Robbie and Cecilia to live on despite the truth and this allows Briony to come close to fulfilling her atonement.
Since her entire novel is indeed an atonement, this part of the novel could be looked at as a part of her atonement. By showing what Robbie went through because of her, she compounds her own guilt and thus adds to her atonement.
The Power of Words and Memories in Atonement Part II (H) – Class Post 03/23/2010
The transition from Part I of Atonement to Part II is like taking a bite of a slice of cake just after sampling a different one before; the taste of the previous cake is still present, but the new flavor is much stronger and brings something different to the palette. Ian McEwan's thick and spectacular prose—slice of first cake—is consistent throughout the book, but the perspective presented in Part II—slice of second cake—allows us to truly see the reality and depth of the destruction caused upon Robbie’s life by Briony. McEwan lets us into Robbie’s mind by presenting the readers with his thoughts and experiences in the war and emphasizing his key motivation and reason for survival. Throughout his time in the war, Robbie faces challenges of all sorts, physical, mental, emotional, but regardless, is able to make it through everything with the help of Cecilia—her words and memories of them together.
During the beginning of Robbie’s time in the army, he and Cecilia write each other quite often, though they are not able to express their passionate desires on paper because sensual letters were not allowed. Instead, they use characters from books as codes to say what they needed to say. In a world where they were forced to live separately, these letters are their only means of communication, of hope, and of connection to each other. Their love and desire for each other is clearer now more than ever with Robbie away fighting for his life, paying for a wrongdoing he did not commit so he could return to the life he and Cecilia had envisioned while Cecilia is sacrificing all she had ever known—her family—to stand up and by the man she loved above everyone else.
Though Part II was tough to get through due to its slow progression, it is crucial to not only read, but experience Robbie’s journey with him and McEwan makes that possible with his incredibly knowledgeable, real descriptions of the war. Days that include scenes of terrible deaths, especially those of children, bring Robbie to his lowest and his motivation to continue is sometimes forgotten. That misery is heightened when the post delivery system goes down and he is not able to receive or send letters to Cecilia. Days like these, the potency of the few memories of him and Cecilia together are questioned, but they always manage to restore Robbie’s need to survive so that he could ‘find [her] and love her, marry her, and live without shame.’ The realness of McEwan’s settings, characters and their feelings and struggles allow us to experience the life of his characters with them. It is challenging to remember that Atonement is indeed fiction when so much truth lies in it. The love Robbie and Cecilia have for each other is beyond anything I have ever read. To endure such damage to ones’ life and still be able to continue fighting because of words scribed on a letter and memories is quite hopeful and refreshing.
Monday, March 22, 2010
(Edited) My interpretations for Part two of Atonement(Section G) 03/22/2010
The story, which switches gears to follow Robbie into World War II France and Cecelia to her experiences as a nurse in London, loses structure and fluidity by immediately jumps from Briony’s testimony sent Robbie to jail to Robbie in France during the war, and we are told very little of what happened in the 3 year period of time between the crime itself, Robbie’s prison sentence, and his eventual deployment. I found this part less compelling, less insightful than the first part, even though McEwan manages to find beauty even in the most horrific scenes . We know that Robbie had aspired to go to medical school, but was the outcome of the novel a result of Briony’s crime or World War II? Even if Briony committed no crime, wasn’t Robbie’s being drafted to the war and eventual separation from Cecilia inevitable? The missing part (the jumps in time and perspective jarring and the chapter about Robbie's adventures) should have elaborated on more rather than the tedious Part 1 was the immediate aftermath of Briony’s crime.
And yet these games with structure and story and perspective in no way take your focus from the story and the characters. Instead, they add to the experience of watching the main character grow and develop. It moves forward five years to focus on Robbie, Cecelia and Briony. Having got of prison early in exchange for enlisting, Robbie join the British Army in France. Wounded by shrapnel, Robbie and two corporals make their risky way to Dunkirk for evacuation. With death and atrocities all around him, Cecilia's love, expressed in letters while Robbie is in France, is all that sustains him as infection spreads and his strength flags. The tide of blood in war, the constant atrocities, drown out that one atrocity, that one event that changed everyone’s lives back at the manor, making he intends to get back and reunion with Cecelia. Robbie’s resentment to Briony didn’t reduce as he reminds himself that he once embarrassed Briony as he dived into the river to save her life. It gets him thinking of her and of her motive for lying and sending him to prison. His only explanation is that the feelings she had for him when she was younger were still there when she read his letter to Cecilia on that day five years ago when she accused him of a crime he did not commit. He believes
her to have felt that her love for him. "But there must have been signs which he had not noticed. For three years she must nurtured a feeling for him, kept it hidden, nourished it with fantasy or embellished it in her stories"(219). Couldn’t it be jealousy? Couldn’t it be revenge? Robbie is still somewhat confined to his role as the "victim".
However, all the lonely descriptions of French war-torn villages could not make up for the fact that none of these characters were the slightest bit interesting to me or seemed to connect to anything. Mostly, I think we weren't given enough emotional insight into Robbie in Part One, so being dropped into war-torn Europe with him in Part Two was no more than abstractly affecting. And another protagonist, Cecilia has become a nurse and has cut herself off from her family. The letters have shown her revelation of aversion to the social position and the true love with Robbie. Furthermore, Briony follows her sister's career path and experiences the rigors of training in the old hospital her sister used to be trained. Briony realized her irreversible mistake separates the loved pair and ruins their lives. The transformation of her immaturity, later on, as she writes an atoned letter to her sister makes us think her innocent by comparison. Or at least dilute the magnitude of what she did.
Sunday, March 21, 2010
Character Names in Atonement
Okay you guys, I hope you won't mind another short entry from me. While reading Atonement, I got to thinking about whether or not the character's names had any significance. I wondered about the name Briony-- I felt as though I remembered it as not only a name, but a plant as well. Recalling how significant name meanings are in Jumpha Lahiri's work, and how every element of a writer's work is used to convey a meaning, I looked up her name, and then out of curiosity, looked up some of the other names of Atonement's main characters. Here is what I found:
The girl's name Briony \b-rio-ny\is a variant of Bryony (Greek), and the meaning of Briony is "climbing plant". Perhaps her name is indicative of her ambition, and also her self importance-- how she put herself before others. (Climbing plants, such as ivy, often smother other plants for their own welfare.)

How Briony got her "backbone"?
Lola and Paul’s marriage is the catalyst of Briony’s confession. After she learnt the news, throughout the day no matter where she was in the hospital and whatever she was doing, she “felt her familiar guilt pursue her with a novel vibrancy” (268). As written in part one of Atonement, the creation of literary works had always been Briony’s first choice to unleash her emotion; she wanted to write down her feelings when she saw the weird meeting between Cecilia and Robbie in front of the fountain; in later years, she started her creation of her first novel when she realized that she had misunderstood Robbie. Briony realized that “she had made it possible” of Lola and Paul’s marriage while pushing Robbie to death (268). Their marriage was the blasting fuse towards Briony’s confessional novel because she confirmed her crime. As later indicated in the book, Briony used her lifetime to revise the novel to vindicate Robbie.
Briony felt free after she learnt their marriage because she no longer had to doubt her crime. However, she did not fully grasp the seriousness of her crime until she saw the patients that were sent to hospital. Their faces were usually half bombed out; the skins were easily removable from the body; the mouths could no longer function as a holder of food but rather as a hole in the faces; the legs were very possibly amputated (275-281). Briony knew that Robbie was one of the soldiers in Dunkirk. He would have suffered the same torment in the war all because of her lie five years ago. Briony indirectly pushed Robbie to the battlefield. But she received mental punishment because “her secret torment and the public upheaval of war had always seemed separate worlds, but now she understood how the war might compound her crime” (271-272). She witnessed the possible consequences of her crime on Robbie through his peer soldiers who were sent to her as maimed patients.
The fact that the faces of the patients were obliterated touches Briony deeply. She imagined how one of these men might be Robbie and how she would dress his wounds without knowing who he was until his familiar face emerged (281). The gradual appearance of the face of soldiers touches Briony deeply because she realized how unforgivable she was that she earnestly attributed the crime to Robbie five years ago. Briony had no way to tell one patient from the other because their appearances were all covered by grease and sands and sometimes shell relic even though she was so close to them. However, five years ago, she adamantly confirmed that Robbie was the one who insulted Lola when she was far away from the spot. Briony admitted later that she “couldn’t tell real life from the stories in her mind” (306) but the irreparable damage had been caused. She had to confess and thus she would be able to make atonement.
One particular soldier, Luc had a huge influence on Briony’s decision to confess her crime. He asked Briony if Cecilia got married to the man that “she loved so well (288). The words touch her so much because even an outsider knew how deeply they loved each other; however, she directly took them apart because of her immaturity and committed her crime under the pretext of protection. Luc continued to ask whether they were married then and happy (288). Briony was again stirred by his question because their marriage seemed to be impossible. What really touches Briony was Luc’s reminiscence of his girlfriend. He was not sober because he was dying and he mistook Briony as her beloved girl. At first, Briony did not pretend to be his girlfriend; but afterwards, she was moved by his affection and acted like the girl to give him last comfort (288-292). Briony realized that Robbie would miss Cecilia as badly as Luc did his girlfriend but she made the possibility of their reunion dim. She replied to Luc “yes” (292) when he asked whether she loved him or not on behalf of his girlfriend because she would feel better if she did something to a person who suffered the same torment as Robbie did.
The last push to Briony’s confession was the letter from the publishing firm. When she was really depressed by the casualty in the war and her self torment, Briony received the mail from the editor who gave her suggestions on her confessional novel. Through the letter, we can find that in the draft Briony handed in, she described the scene in front of the fountain from three people’s different perspective and how she had mistaken the affair between Cecilia and Robbie. However, as the editor pointed out, static quality did not make a great novel (295). It needed development. The question raised by her like “might she come between them in some disastrous fashion” and “how might it affect the lives of the two adults” pushed Briony to directly face the consequences of her crime (295). She actually came in between them and destroyed their happiness. However, she did not realize the result when she started her first draft because she had not experienced so many things. After working in the hospital saving the lives of soldiers who retreated from Dunkirk, Briony finally realized that she lacked “backbone” (296). The backbone has a dual meaning to Briony because on one hand, it means the development of her novel; on the other hand, it tells her that she needs to take courage to face the consequences of her crime on Robbie and Cecilia.
Briony experienced a series of impacts in a short time which caused her to become aware of the disastrous consequences of her crime. She had to do something to compensate for Robbie and Cecilia and she decided to use words, which used to be a sign of her imagination and immaturity that led to her crime, to make her atonement.
Thursday, March 18, 2010
The Many Misinterpretations By Briony
One of the most interesting characters in the book would have to be little 13 year-old Briony. Majority of us have came to an agreement that we would all like to give her a piece of us, if we could, because of her maturity level she seems to have and the way she seems to handle things. As we have learned in the earlier chapters, Briony has witnessed something that happend between her sister, Cecilia and Robbie down by the water. To make matters worse, Robbie ends up writing a letter and giving Briony the wrong one to hand to her sister and as she takes it upon herself, she reads the letter. Before realizing what she has placed herself into, she discovers what Robbie was trying to get through in the letter and has came upon a 3-lettered word that even her mother had never mentioned it to her before.
Later that evening during dinner, Briony had witnessed yet another thing that she was not suppose to see. Cecilia and Robbie were both caught in the act of sex...but in terms of Briony, Robbie was hurting her. In witnessing this, Briony's view of Robbie is not so much on the kind side so much. She believes that he is here to hurt Cecilia, even though he has a close family tie that nothing is going to change Briony's mind or how she feels about him right now. Before dinner, Briony had confided in Lola about what she witnessed and how she really feels about Robbie and has given a name of "the maniac".
During dinner later on, the twin boys decide to runaway from the Tallises home and this lead to a big conversion of search parties and eventually lead to regarding the police. During the search, Briony found Lola on the ground crying and might have been handled inappropriately. Briony looks out to see if she can figure out who had done this and immediately assumed it was Robbie. She asked Lola over and over again whether or not it was him and without considering as much as what Lola was trying to say, Briony was convinced it was Robbie. After being brought back to the house and being questioned by the police, Robbie did not show up to the house until the next day with having found both the twins. And yet, he was still handcuffed and placed into the car.
From the beginning until now, it is shown that Briony has been on Robbie's case ever since the broken vase scene in the book, to the misinterpreted letter, to Robbie "hurting" Cecilia in the library, to the misfigured person Briony had seen that night when she found Lola on the ground. It has not yet been confirmed whether or not Robbie was the shadowed figure but it has taken a serious turn in the book and how much of Briony's misinterpretations of things have gotten out of hand so far.
Wednesday, March 17, 2010
Understanding and Forgiveness (Section G) 3/18/2010
“It seemed a kindly gesture, and Briony was touched by her sister’s capacity for forgiveness, if that was what it was. Forgiveness. The word had never meant a thing before...” This scene is the second time Briony misinterprets a situation s she watches it out of the window, and the paralleled situation highlights the foreshadowing in the first scene.
“The ordinary people that she knew, and what power one could have over the other, and how easy it was to get everything wrong, completely wrong.”
Together the two scenes illustrate one central irony of Atonement. Briony sees the situation incorrectly and does not understand until later that she is the one who needs to ask forgiveness. Briony’s misunderstanding leads to the question how much understanding is necessary for betrayal and in opposite, for forgiveness. Interestingly while Briony sees turning in Robbie as a kind of new maturity, it is her youth which keeps her from understanding the situation, and drives her to tell the police officers that Robbie was the rapist.
The question is brought up again when Briony sends Cecilia a letter saying that she knows that she was wrong, and that she wants to help Robbie. When Cecilia writes to Robbie about this he recognizes that he does not forgive Briony. He knows that it is irrational to blame her for what happened because she didn’t understand, but he feels that she is only trying to help him out of guilt. “Here she was, offering a possibility of absolution. But it was not for him. He had done nothing wrong. It was for herself, for her own crime, which her conscience could not longer bear.”
At the same time he encourages Cecilia to reunite with her family. He does not want her to forgive her family, he simply wants her to reconnect with them to assuage his own guilt. “He would never forgive himself if he did not encourage her [to connect with her family].”
Atonement keeps returning to this idea of forgiveness and whether understanding necessary to forgive. Each of the characters feels that the characters want to be forgiven for their own wrong doings, but they do not want to have to come to peace with the acts beforehand.
One of the biggest hurdles in the book is that Briony did not understand her crime when she committed it. After she grows up she comes to understand, but the version of Briony who committed the crime never understood the situation well enough to be sorry for it. How could she be forgiven for an act that she committed believing it was the right thing to do to protect her sister?
Class Post (section G) 3/18/2010
It may be because I watched the movie before, even though it was a while back and I don't remember the ending or too much of it, I could only imagine Cecilia from Kiera Knightly's role, thus, I can't completely form "Cecilia" as how I read her in the story, and the same goes for Robbie's character. One thing that stood out about Brinoy is when she is described as never having any secrets or wrongdoing. That, I feel definitely gives a point in something big happening later on in the story. And her character, in the novel, gives off a feel of an odd, intricate, delicate, protected, but a genius-like child who is strong-willed. My psychological interpretation of her is she thinks much ahead and worries many things and don't want to do anything or anyone wrong, yet she makes the biggest mistake from an avoidable misunderstanding. So she shouldn't have opened the letter and read it, but having read it, she shouldn't have felt a need to "protect" Cecilia like she many times states, and she could have openly talked to Cecilia or Robbie about it. But maybe, because how the author sets up Cecilia's character, it might have been hard for Brinoy to approach Cecilia. And since Brinoy is at the time of "changing," she couldn't have confronted Robbie either although Robbie seems like a decent and understanding guy. The ironic thing is that when Brinoy was trying to interpret Robbie's gestures and expressions, she tries hard to give a descripition of what she thinks Robbie should be saying or feeling with what she sees, and justifying why he would, making her thoughts seem a little unnatural and forced, so to make the readers think that in her deep conscious mind, she does not believe that he truly is guilty. So why does she do this? Does she really think that Robbie is a harasser? Could it be jealousy and what triggered it? From seeing that romantic vision from her window? I felt upset at how Brinoy did what she did and could not figure out if the author wants to present her character as someone who should be sympathesized because she is young and immature still, and is transitioning, or someone who has this underlying evil mindset of purposely doing what she is doing. But I also do not like Cecilia's character too much, I feel she could be a better sister and not be so explosive or "out there" as she is. I feel the meaning of "atonemnt" up to here can be seen in Robbie's character, as how he is taken to be guilty, when he is innocent. He is taking the fall for a bad deed someone else had done, which brings up one last interesting point. Who is the person? Paul Marshall? One big giveaway is when the story was told from Emily's perspective, and how she heard laughing from Lola and Marshall, and she thought that "he was good with kids." As well, it gives a clue when there was a sudden more-than-just-friendly interest toward Lola from Marshall, complimenting her good taste in clothes when she tried to be mature and put on an adult-like cover. This makes me wonder if the letter could have been part of Marshall's scheme in making the lie that Lola is injured because of her brothers' homesickness more believable.
Tuesday, March 16, 2010
Points to Ponder about Chapters 1-8 of "Atonement"
- Setting: WWII, London, beginning of Modern time period, end of Victorian time period
- Is Briony mature for her age and why? In what ways is she immature?
- In chapter three the author spends a page and a half describing Briony thoughts about how the mind controls the body. Why?
- What is the relationship between Cecilia and Robbie?
- Is there resentment for father paying for Robbie's education? The socio-economic class difference between Cecilia and Robbie.
- How do you interpret what Briony thinks she see when she sees the confrontation between her sister and Robbie?
- What is the significance of the vase and it being broken?
- What is the significance of slashing the neddles? specifically the ones for her childhood?
More on this and the novel later...
Monday, March 15, 2010
Briony or the young heroin of a modern tragedy. 03/15/2010
Briony as a modern manifestation of old-fashioned morality (G) 3/15/2010
In lieu of having her own problems and secrets, Briony creates flawed characters and rules their fate based on repentance. (5) Verdicts in Arabella change after the main character repents; she finds true love only when she realizes her mistake. While this is jumping ahead, one might compare Arabella to Briony’s generic version of Cee, seeming to foreshadow what is to happen. The headstrong daughter has flirtations with a questionable man and runs off with him. Perhaps this is Briony’s prediction of Cee’s behavior; although the play is written for her brother Leon’s homecoming, Cecilia will be sure to attend a small family affair like this. Briony, in her childish fantasy, controls the wayward sister to make everyone else happy- restoring family balance and giving everyone a happy ending. Her tales are really like classic fairy tales in that they warn listeners to behave a certain way and are rather extreme about doing so. This takes place in the early 20th century, long before Disney softened the originally gruesome fates of the stepsisters in Cinderella. You’ve likely heard that in Aschenputtel, the stepsisters traditionally cut off parts of their feet to fit in the shoes of their stepsister. Many versions have birds pecking their eyes out to penalize their deeds. Steely Briony delivers justice in a similar vein, at least in her morality play. One can suspect from foreshadowing and the title of the novel, however, that Briony will be punishing herself much like she punishes her characters. The introduction lets us know how adamantly Briony believes in retribution, and her anal character flaws may in fact be her redemption.
